
Episode 51: More with Less 4/5
The Wire Season 5 finally premiered on HBO last night. I must admit, I was skeptical about this season after watching the previews on HBO. Examining the role that media plays in our society never gets old for me, but as you should know by now, I don’t really care much for the ‘plight’ of starving journalists. The prospect of an entire season revolving around the Baltimore Sun seems boring as hell. The news industry in this country is rotten from the top down, including journalists, and has been for as long as anyone can remember. The Golden Age of journalism that so many downsized editors and writers hearken back to… never happened. News in this country is now, and always has been, for sale. If your newspaper is getting it’s ass kicked by a free blog, then you’re not providing nearly as high quality a product as you think you are.
But hey, I was skeptical before each season of The Wire, and I have not been disappointed yet, so here goes another season. I watched the premiere because I trust Joe Chappelle (Director), Ed Burns (Producer), David Simon (Writer) to tell a good, important story, and tell it well. I also trust them not to patronize the black and brown members of the audience.
The story so Far:
The first season of the Wire started slow, as the actors and director found themselves. This slow rolling boulder was mind blowing by the finale.
The Wire Season 2 sounded boring on paper (no Stringer, no Avon, just a bunch of dock workers lamenting the loss of blue collar jobs), but Season 2 was better than Season 1 in my opinion. It had better acting, a more complex story line, and more of our society painted into the picture. And the story was about much more than a few lost dock jobs. It dealt with the loss of our entire middle class, and our culture’s tacit complicity in crime.
The Wire Season 3 could have degenerated into the notorious hollywood third sequel shit hole (Shrek, Spiderman, Godfather, you know the list). I know the Wire is a TV series, and not a movie, but really, it’s more like a 12 or 15 hour miniseries than a TV show.
Season 4 of the Wire sounded scary as well. An investigation into our schools? Lemme guess, buncha black and brown kids, messing up as usual, but wait! Here comes the messiah in the form of some non-black-or-brown teacher, a Michelle Pfieffer, to save them all with the power of dance! Or writing! Or singing! Or debate! or anything other than dealing with the social issues that they have to live with every day! Screw social change! An after school activity will handle that pesky ‘urban despair’ problem. I thought I’d heard this story before, but I was very, very wrong. Season 4 of the Wire was so close and on point that it was hard to watch at times. All due respect to Dakota Fanning, but Season 4 of the Wire was the best child and youth acting this century. Period.
So that brings us to Season 5.
I’m going to watch the Season through. I know David Simon knows what he’s doing. Snoop, Marlow and Chris are back, as well as some new faces from the “Homicide, Life on the Streets” series.
* People who’ve seen Half-Nelson think it’s great, or think it’s OK. What I’ve found is that most of the people who think Half Nelson was amazing, are the same people who haven’t seen the Wire. Ryan Gosling’s character was just Presbo, with a little Bubbles mixed in. Everything, from the camera angles, to the lighting, to the transitions, is reminiscent of the Wire.